Member Profile

Tom Marshman

Name

Tom Marshman (aka Tommarshman)

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Region:

South West

Artforms

Performance, Live Art, Experimental Theatre, Experimental Dance/Movement, Installation, Video Art, Digital Art, Time-based, Interdisciplinary, Experimental Film, Photography, Visual Art, Writing/Text, Poetry /Spoken word, Sound /Sonic art, Site Specific.

Occupation

Practising Artist/Practitioner.

Statement

I have been making work since 1998; to date the purpose of my work has been to address issues that are often considered as mundane or commonplace. My work celebrates everyday domestic objects, exploring what is often taken for granted. I am interested in how memory shifts our view of the world we live in and how these are represented through artistic studies. Through my process I carry out investigations into the fantastical or magical placing them where you least expect it.



I have a particular English, eccentric sensibility where I place myself within the frame, allowing me to take responsibly and clear ownership over the content. I care about the aesthetic, which I work with mixing minimalism with charity shop kitsch.



When constructing a performance for the public arena, I am concerned with producing a show that has very readable visual images, within a firm context so there are clear links throughout. Through my projects I have collaborated with artists of many forms, enabling skill sharing and dialogue around content. I mix storytelling, poetry, architecture, archaeology, archiving, sound, movement experimenting with theatrically and dramaturgy. With a particular interest in how the audience engages and responds to the ephemeral experience and what they take away with them, this I feel is at heart of my practice.

Organisations

Projects

Show All

Soldier sings the blues

By Tom Marshman

Tom Marshman will be premiering his new performance piece ‘Soldier sings the blues’ in response to his residency at the beautifully brutal Nothe Fort Weymouth.
With site responsive film elements by Kerry Deacon.
He has a mission from his ve...

Posted: 24/9/2008 21:48:51

Every body's Kitchen

By Tom Marshman

Everybody’s Kitchen investigates the emotional investment we place in the things we eat. What feelings are evoked? Where do they take you? Tom Marshman offers you a lick the spoon.

A land flowing with milk and honey – Exodus

...

Posted: 13/3/2006 23:56:58

The Seat of Memory

By Tom Marshman

Tom Marshman offers a grand tour of his most favourite place - the department store. Rooted in experiences of working in perfumery floors of various department stores over the last three years, Marshman reveals a place of seduction where you can see...

Posted: 13/3/2006 23:59:25

This is the umbrella title for the three other works.Tom Marshman is a Bristol based artist, who has been making performance work since 1998. He has toured nationally with previous works Playing but Losing and Deconstructing the Good life. He often w...

Posted: 14/3/2006 0:04:27

Her Bungalow heart

By Tom Marshman

Her Bungalow Heart looks at the bungalow where Tom Marshman’s Nanna lived for the last 35 years of her life. Re-examining this domestic environment and the impact now of her absence, Her Bungalow Heart attempts to commemorate the passing of time that...

Posted: 14/3/2006 0:01:44

Events

My Name is Sue, How Do You Do?

20/03/2009 - 21/03/2009
Category: Performance

MY NAME IS SUE, HOW DO YOU DO At the Arnolfini. Ticket PASS: £12.00/£10.00 Concs includes performances and party Arnolfini Associate Artist, Tom Marshman and Annette Foster host three days of workshops, performances, interventions and parti...

Hello Sailor [goodbye heart]

04/10/2008
Category: General

A companion piece to Finding my Inner Cowboy, Tom will be taking boat trips, scrubbing the decks, making rum cocktails and of course getting a tattoo. He wants to reveal his new identity to you. I peer through port halls, of memories and I try to...

Her Bunglow Heart

07/02/2007 - 10/02/2007
Category: Performance

Oval House THEATRE UPSTAIRS Wed 7th- Sat 10th Feb, 8pm Her Bungalow Heart By Tom Marshman Her Bungalow Heart looks at the bungalow where Tom Marshman’s Nanna lived for the last 35 years of her life. Re-examining this domestic environment ...

Her Bungalow Heart

07/02/2007 - 10/02/2007
Category: General

Oval House THEATRE UPSTAIRS Wed 7th- Sat 10th Feb, 8pm Her Bungalow Heart By Tom Marshman Her Bungalow Heart looks at the bungalow where Tom Marshman’s Nanna lived for the last 35 years of her life. Re-examining this domestic environment ...

Member Blogs

Show All (2 in Total).

International Pool

4/9/2008 12:30:29

I received a call when I was just stepping out for last orders at my local pub ‘The golden Lion’ in Bristol. It was my friend Paul Hurley asking if I could get over to Switzerland in the next couple of days. Paul was at the Festival of Gay Male Performance Artists and there was a slot free, for me! The money was good, the location picturesque. It all seemed too good to be true, and I had only just been bemoaning that I had nothing to do that weekend! So you can imagine I had no hesitation about jumping onto the next available flight. The festival was in full swing when I arrived and here I met the festival’s curator Norbert Klassen, who took me under his wing. Norbert is an impressive character in stature and intellect, described as the grand seigneur of the Swiss performance scene. There were ten artists performing in all. Together we ate, drunk, danced and watched each other’s performances, it was truly special. On the last night we went out to dinner and I had a heart to heart with Norbert. I talked about how I feel guilty if I travel too far from home. I sometimes worry when I’m away for too long. Norbert listened and he understood. I can’t tell you what he said to me that night. I had drunk too much wine, and I can’t quite remember how exactly he phrased it, but I came away form that dinner table feeling like I’d been given absolute permission to swim in the international pool. That night I opened up to Norbert in this way, perhaps behind his grandness, his impressiveness I could see he, like me, was just another mummy’s boy! As I left for England he called out to me from the hotel lobby ‘give my regards to your mother’. What was so curios about the festival was it was partly programmed on what Norbert had seen and liked in his visits to various cities across Europe. But more significantly, the programme was also put together on the trust of the artists that he had met. I remember sitting, talking to him on the phone in my flat before I left for Switzerland saying that ‘you can see some images of my work online’ to which he responded that he doesn’t have a computer and never uses the internet. It struck me that some networks extend much further than the word wide web and they exist through word of mouth over glasses of wine and cups of coffee. Somehow its’ comforting to me to know that there are kindred spirits that won’t be reading this text as it only exists in the corner of the new work network website.

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