Ripe and Rotten

Posted by:
By:
BAC YPT and SHUNT LOUNGE
Dates:
Wednesday 14th November 2007 - Saturday 17th November 2007
(every day)
Start Time:
06:00
Category:
Performance
Regions:
London,
Artforms:
Performance, Live Art, Experimental Theatre, Experimental Cabaret, Experimental Dance/Movement, Installation, Multi Media, Time-based, Interdisciplinary, Visual Art, Experimental music,
Contact:
Martina von Holn (info@martinavonholn.com)
Website:
Details:
RIPE AND ROTTEN SHUNT LOUNGE WEEK
Curated by BAC YPT3 14 – 17 November 2007 Glimpse the world through the eyes of a child, and recapture the lost sense of the strange.
Descend into the belly of the Shunt Vaults, and be captured in a subterranean playground created by 25, ravenously creative, under-25 year olds.
Immerse yourself in adventure; expect performance, installations, music, and childish things for adults only. Come and Play.
RIPE AND ROTTEN SHUNT LOUNGE week is the culmination of a BAC YPT3 project. Over the past 2 months, BAC YPT3 have collaborated with Shunt and other leading artists and arts professionals to produce, perform, design and market their own multi-art-form SHUNT LOUNGE event.
Each evening includes pieces of work devised and designed by BAC YPT3 under the direction of Hannah Ringham, Martina Von Holn, Melanie Wilson, Mischa Twitchin and Silvia Mercuriali.
Doors: Wed – Fri, 7pm (Sat, 8pm) Last Entry: 11pm Capacity is very limited. Arrive early to avoid disappointment. £5 entry on the door
SHUNT LOUNGE, London Bridge, London, SE1 (Enter through a small door on Joiner St, inside London Bridge tube station)
myspace.com/ripeandrotten www.bac.org.uk www.shunt.co.uk
BAC YPT comprises YPT1 (12-14 yrs) and YPT2 (14-16 yrs) and YPT3 (17-25yrs). Each year BAC's finest artists are invited to work with the groups, developing theatre making skills and creating innovative performance pieces. For more information about YPT, please visit the Participate page at www.bac.org.uk or contact BAC Producer Liz Moreton on bacypt@bac.org.uk
www.bac.org.uk
BAC YPT is supported by Austin and Hope Pilkington Trust, Awards for All and JPMorganfoundations